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Doujinshi by Saimin
(Now featuring translations from my invaluable friends in the champloo-doujin fandom;
credit given as due.)
24 pages, black and white with full color cover.
X-rated, full-frontal, explicit yaoi sex.
==Translation by champloo4U, to whom many, many thanks.
This won't be for everyone, but...as I said above...those inclined toward this sort of thing will love it to death. It is outrageously beautiful
in classic Saimin style, the visual narrative style is dramatic and intense, and, oh, man, kitsune-Jin is simply to die for. *swoon*
Enjoy her website:
Saimin
15 pages, black and white with B/W cover.
==Translation by Champloo4u, to whom great thanks.
Same website info as above.
12 pages, black and white with B/W cover.
==Many blessings on ryu_kk009 for the translation.
---Same website info as above.
8 pages, black and white in plain grey folded cover, issued in printed brown envelope.
==Many thanks to bigbigtruck for the summary.
(It's apparently set after the Spanish Civil War: Mugen is narrating the story of how he retired to a small house outside of the city, owned by Miss Arles (Fuu) who became his employer.
He's confused and conflicted about his affair with Jin (he's good in bed =) which affected him more deeply than he wants to admit; he's gone for five days; when he returns and finds Jin with the other man
"something was hit inside me" and he's about to slice up the interloper when Jin takes care of that detail.
They bury the corpse, and a tree/flower grows out from it, and to this day (??) he sees Miss Arles gazing at it from time to time.)

--Three stars, but definitely not for all ages.
(absolutely the most beautiful fan art of Jin you will see anywhere)
R-rated, one panel of explicit detail (yaoi sex, bondage)

PG-rated.
The second-shortest of the Saimins is a strange, moody little thing, part flashback, part sex scene, with a thoughtful, troubled vibe.
Jin contemplates the lack of peace in his life--"I want to kill. I want to be killed. That's why I said this to him..." --while Mugen chides him for being so distracted during sex.
What he actually said to Mugen (we see in flashback) was "Yaritai", roughly 'let's do it', which in different characters can either be read as a challenge to fight
or an invitation to sex; Mugen chose the latter, and Jin goes with it while abstractedly wondering just what they're doing and why.
"Anything that was left behind as I set out on this journey had never been my concern to begin with. I only have my swords, after all. And yet, why am I this anxious?
It is as if. . . this weight (of Mugen, I believe) is the only thing that prevents me from flying apart.--That's it."
Mugen coaxes him to relax, but Jin is still wondering "How did we get here? Why. . .?" in the fade-to-black.
---No explicit detail, but Saimin never tires of drawing Jin with his knees folded over Mugen's
shoulders, which is why I put it here and not in All Ages...

X-rated.
This is now the shortest of the Saimins, at a mere eight intense and enigmatic pages. We're in somewhere hot and dusty-looking, Spain or Mexico; Mugen is a bullfighter (wearing tank top, jeans and boots but his sword still on his back),
Fuu a local girl he quarrels with (in long dress and parasol) and Jin is a farmer-ranchworker type (long-sleeved white shirt, hat) who seemingly falls for him on sight. There's some kissing and quick, dramatic sex. Mugen can't forget about him,
and eventually leaves the bed he's sharing with an anonymous girl to find him, only to walk in on him being taken from behind by another man. While Mugen stands there stunned, Jin suddenly reaches for his katana and runs the man through.
Mugen, staring wildly, draws his sword...all we see at the ending is Fuu standing in a field of sunflowers....
===Typical Saimin-style weirdness, bloody and erotic but still haunting and dreamlike. Reprinted in her 2006 volume "Kaleidoscope/Syndrome".
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